The research used a qualitative descriptive method with social anthropolinguistics approach.
The purpose of this research is to create an interactive media based on local wisdom values with the implementation of the iconic card to strengthen the local wisdom values of Malay culture which is useful to build students’ character education. The phenomena are due to the absence of interactive media to strengthen character education based on local wisdom in school. The lack of the students ' interest and attention toward the local wisdom values of the local culture is this research background. Ragam hias atau ornamen ini sangat kokoh mempengaruhi PENDAHULUAN Setiap etnis di Indonesia memiliki corak ragam hias atau lebih dikenal dengan istilah ornamen bernilai kearifan lokal budaya. The result showed that there are some Malay motif ornaments used to develop in the woven gedebong that can be useful to revitalize the Malay philosophical of local wisdom values. The philosophical local wisdom values of Malay ornaments are the values of good behaviours, taqwa (faith) to Allah, harmony, wisdom, heroic, affection, fertility, self-knowing, fair, responsibility. And lastly, Wajik motif are from portion form wajik (wajik petak tabur) and similar title of princess wajik (wajik payung sekaki tajuk puteri) on the handicraft of bag and stationery box. Thirdly, outer space buih selari on the handicraft of astray. Secondly, fauna motifs ornaments are from dragon (naga-nagaan) ant (semut beriring), twinned pigeon (merpati sekawan), return home duckling (itik pulang petang) on the handicrafts of sandal, kleenex box, and hat. Firstly, flora motifs ornaments are from lined up flower (bunga berjajar), reap flower (bunga tampuk manggis), single florets (kuntum bujang), gundur florets, cloudy florets (kuntum awan larat), eartquake motion flower (bunga gerak gempa) on the handicraft of pencil case, cake box, skewer, kleenex box. There were four motifs used to revitalize and develop philosophical of Malay culture in the design of woven gedebong, they were flora, fauna, natural and wajik motifs. The data were collected through observation, interview and documentation. This research uses a qualitative descriptive method with ethnographic approach. This article aims to revitalize the phylosophy of Malay motif ornament in the design of woven gedebong.
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